The
Armageddon Rag by George R R Martin. Gollancz £18.99
Reviewed
by Peter Coleborn
I first read this novel in the 1980s, soon
after it was published. I remember enjoying it and writing a positive review (which
I can’t locate right now). On re-reading the novel, I again found it enjoyable –
almost equally but not quite – but for other reasons. Back then, this was a
contemporary storyl. Now, thirty years on, it has a nostalgic feel to it.
The Nazgul were one of the biggest bands
ever – as big as the Beatles or the Stones (according to the narrator). The
band broke apart in the mid-70s after their singer was assassinated by a
sniper’s bullet while playing at a huge outdoor arena. A few years later the
band’s manager is found murdered with clues scattered around pointing to black
magic and, perhaps, implicating the Nazgul.
The police investigation seems to go
nowhere conclusive and Sandy, a reporter/writer for the underground press, is
assigned to look into the events, to write an article on the band and the
manager’s murder. Sandy embarks on a quest across America, seeking out the
still-living band members and past-acquaintances and lovers. He uncovers more
than he bargained for on this road trip...
I rather liked the way that Martin used his
narrative to question the events of the 60s and 70s, the radicalism, the
student politics. There are plenty of questions raised about that era; what was
achieved, if anything; on how people were affected and adapted to the real
world outside that radicalism.
My main criticism is that George Martin
often goes into expository asides and remembrances, explaining what happened in
the past, why people did the things they did. I found these a bit too intrusive
and I think the book would’ve been much stronger without them, just using the
bits really necessary to progress the story. Back in the 80s I didn’t mind so
much but nowadays I feel that we don’t need these reminiscences. Don’t be put
off by my comments. The Armageddon Rag
is still a fine novel, written by Martin comparatively close to the start of his
career, before mega-fame took off with the Game
of Thrones series. Along with his short stories of that time (“Sandkings”,
“Nightflyers”, “A Song for Lya”, etc), this reprint represents an important
part in the author’s development.
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